It would, however, be grossly unfair to Pascal, to Montaigne, and indeed to French literature, to leave the matter at that. It is no diminution of Pascal, but only an aggrandisement of Montaigne. Had Montaigne been an ordinary life-sized sceptic, a small man like Anatole France, or even a greater man like Renan, or even like the greatest sceptic of all, Voltaire, this “influence” would be to the discredit of Pascal; but if Montaigne had been no more than Voltaire, he could not have affected Pascal at all. The picture of Montaigne which offers itself first to our eyes, that of the original and independent solitary “personality,”absorbed in amused analysis of himself, is deceptive. Montaigne’s is no limited Pyrrhonism, like that of Voltaire, Renan, or France. He exists, so to speak, on a plan of numerous concentric circles, the most apparent of which is the small inmost circle, a personal puckish scepticism which can be easily aped if not imitated. But what makes Montaigne a very great figure is that he succeeded, God knows how—for Montaigne very likely did not know that he had done it—it is not the sort of thing that men can observe about themselves, for it is essentially bigger than the individual’s consciousness—he succeeded in giving expression to the scepticism of every human being. For every man who thinks and lives by thought must have his own scepticism, that which stops at the question, that which ends in denial, or that which leads to faith and which is somehow integrated into the faith which transcends it. And Pascal, as the type of one kind of religious believer, which is highly passionate and ardent, but passionate only through a powerful and regulated intellect, is in the first sections of his unfinished Apology for Christianity facing unflinchingly the demon of doubt which is inseparable from the spirit of belief.